Composition tricks The triangular composition 1 brings more movement into the static bird's-eye view. I don't paint the water, as such. Painting the sea bed The texture of the sea bottom is done very easily. Let's just say that my own interpretation is it's the end of a fairytale in this picture, but the end is a beautiful one…. Sergey Kolesov Sergey Kolesov grew up in Russia, where he was passionate about creating art as a child. Typically, mermaids are represented as a human-sized creature, and in most cases are pictured as beautiful figures in an idyllic underwater environment. 
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The shadow placement informs the viewer how far the object is from the bottom. Make manga with a touch of realism in 5 easy steps How to draw faces without reference Powerful painting app offers artists unique creative options.
The image's pivot point 2 stabilises the image. Typically, mermaids koleeov represented as a human-sized creature, and in most cases are pictured as beautiful figures in an idyllic underwater environment. Sergey Kolesov Sergey Kolesov grew up in Serget, where he was passionate about creating art as a child.
Well-defined shadows will help here, so I decide on strong sunlight as a light source. He studied traditional art and design for nine years, and during this time developed a love of video game concept art. Rather than plan it out beforehand, I try to visualise this while I paint the scene. I'm keen sregey show the depth of the sea while maintaining the top-down composition.
After this I add the colours using the Color and Overlay modes.
However, I don't want to depict a dark, oppressive scene; instead, I decide to make the composition bright and cheerful. What you can see is mostly just the sea bed. I believe this is the right way to show scale more realistically. See sergeh Illustration 2d. He now works in the games industry. I'm happy to go with the idea that the mermaid could be alive or dead, which raises the question: These strokes inform the viewer that they're looking at a marine environment, rather than the calm surface of a boating lake.
This article originally appeared in ImagineFX magazine issue Painting the sea bed The texture of the sea bottom is done very easily.
To finish I introduce shadows to some of the rocks, to make them look more realistic. I decided to do koolesov by playing with scale, and showing a fantasy creature, the mermaid, in a fresh light, and from a different perspective.
Let's just say that my own interpretation is it's the end of a fairytale in this picture, but the end is a beautiful sergeyy. Sergey Kolesov grew up in Russia, where he was passionate about creating art as a child. The texture of the sea bottom is done very easily. I use two texture brushes as a base, then add shadows from the boats on a separate Multiply layer with soft texture brush strokes.
My favourite things (Digital sketching process by Sergey Kolesov)
Bird's-eye view I'm keen to show the depth of the sea while maintaining the top-down composition. Water everywhere I don't paint the water, as such. Related articles The best smartphone in I have no answers to these sergy. The solution is to use similar-sized brushes for detailing all the elements.
Play with perspective to create stunning art
Although I wan to play with these presumption, my intentions are to maintain the sense of beauty in the image, but make it look weird at the same time. The boats and mermaid face into the image to complete the triangle.
The mermaid's arm is detailed, while the fisherman looks sketchy in comparison. I just wanted to produce a striking image and give the viewer plenty of room to think about what their looking at. Let's just say that my own interpretation is it's the end of a fairytale in this picture, but the end is a beautiful one… I need to maintain the same sense of scale in the image.
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